HumaN bOdY arT paiNtiNg
Thursday, 31 March 2011
Wednesday, 30 March 2011
faCE paiNtiNg
Face painting is the artistic application of cosmetic "paint" to a person's face. There are special water-based cosmetic "paints" made for face painting; people should ask before having face paints applied what products are being used. Acrylic and tempera craft paints are not meant for use on skin and are not acceptable, nor are watercolor pencils or markers. Products not intended for use on skin can cause a variety of issues ranging from discomfort to severe allergic reactions. Just because the product is marked "non-toxic" does not mean it is meant to be used on the skin.
From ancient times, it has been used for hunting, religious reasons, and military reasons (such as camouflage and to indicate membership in a military unit). Recent archaeological research shows that Neanderthals had the capability and tools for face painting; although they are no longer considered a direct ancestor of homos sapiens, they lived alongside them in some areas and it is a reasonable assumption that humanity has painted faces and bodies since the very beginning. Although it died out in Western culture after the fall of the French aristocracy, face painting re-entered the popular culture during the hippie movement of the late 1960s, when it was common for young women to decorate their cheeks with flowers or peace symbols at anti-war demonstrations. The popular TV variety show, Rowan & Martin's Laugh-In, featured bodies painted with comedic phrases and jokes during transitions.
For several decades it has been a common entertainment at county fairs, large open-air markets (especially in Europe and the Americas), and other locations that attract children and adolescents. Face painting is very popular among children at theme parks, parties and festivals throughout the Western world. Though the majority of face painting is geared towards children, many teenagers and adults enjoy being painted for special events, such as charity fund raisers. Face painting is also a part of cosplay practice, and is enjoyed yearly by people who dress up as zombies to dance with the annual worldwide "Thrill the World" event on the Saturday before Halloween.
There are many kinds of face paint, including:
Most theme parks have booths scattered around where a person can have a design painted on their face. A similar activity is the application of "instant tattoos", which are paint or ink-based designs that are put on as one unit and removed by means of water, alcohol, soap, or another mild solvent. More elaborate temporary tattoos may be made using stencils and airbrush equipment. Very recently, "glitter tattoos" have been gaining popularity. These are made by filling a stencil (or freehand painting a design) with The "Original Pink Glue" then coating the adhesive with cosmetic-grade glitter. Other cosmetic-grade adhesives or medical-grade adhesives can be used to adhere the glitter. Shimmer tattoos are iridescent mica powders applied over a base of either hand-applied temporary tattoo ink or medical grade adhesive. They can last up to a week depending on the model's body chemistry.
From ancient times, it has been used for hunting, religious reasons, and military reasons (such as camouflage and to indicate membership in a military unit). Recent archaeological research shows that Neanderthals had the capability and tools for face painting; although they are no longer considered a direct ancestor of homos sapiens, they lived alongside them in some areas and it is a reasonable assumption that humanity has painted faces and bodies since the very beginning. Although it died out in Western culture after the fall of the French aristocracy, face painting re-entered the popular culture during the hippie movement of the late 1960s, when it was common for young women to decorate their cheeks with flowers or peace symbols at anti-war demonstrations. The popular TV variety show, Rowan & Martin's Laugh-In, featured bodies painted with comedic phrases and jokes during transitions.
For several decades it has been a common entertainment at county fairs, large open-air markets (especially in Europe and the Americas), and other locations that attract children and adolescents. Face painting is very popular among children at theme parks, parties and festivals throughout the Western world. Though the majority of face painting is geared towards children, many teenagers and adults enjoy being painted for special events, such as charity fund raisers. Face painting is also a part of cosplay practice, and is enjoyed yearly by people who dress up as zombies to dance with the annual worldwide "Thrill the World" event on the Saturday before Halloween.
There are many kinds of face paint, including:
- Designs that include the emblems of favorite sports teams, cartoon characters, and other designs that are "cute" or otherwise appealing to the young.
- Dramatic designs that appeal to all ages.
- Costuming designs which transform the wearer into someone/something completely different, such as Jack Haley's silver face makeup as the Tin Man in The Wizard of Oz.
- Designs that endeavor to color the face in such a way to indicate solidarity with a cause, usually the outcome of a sporting contest or membership in a group.
- Tiger - This design, in most cases, consists of a body of orange and yellow paint, with black stripes painted on. Details include bushy eyebrows and a muzzle or whiskers, alongside a black painted nose.
- Clown - This design, in most cases, consists of a body of white painting. With shapes and features such as a red nose or bright eyes the model is made to take on the features of a circus clown.
- Spider-Man - This is a body of red paint with white eyes and spider like black patterns on the models face. Similar to that of the mask worn by Spider-Man.
- Dog - Commonly a dalmatian, this design is white with large black spots on the eyes and cheeks. A black nose is added along with whisker pores. A tongue is commonly added to give the effect of the model panting, similar to that of a dog.
- Butterfly - A design consisting of the body of the butterfly being painted on the nose and the wings added across the cheeks. Wing patterns vary.
- Cat - Many designs may feature under this heading. It could be a plain black tabby cat or a wild leopard. Either way, it usually consists of a neutral body of paint with bushy eyebrows and a muzzle.
Most theme parks have booths scattered around where a person can have a design painted on their face. A similar activity is the application of "instant tattoos", which are paint or ink-based designs that are put on as one unit and removed by means of water, alcohol, soap, or another mild solvent. More elaborate temporary tattoos may be made using stencils and airbrush equipment. Very recently, "glitter tattoos" have been gaining popularity. These are made by filling a stencil (or freehand painting a design) with The "Original Pink Glue" then coating the adhesive with cosmetic-grade glitter. Other cosmetic-grade adhesives or medical-grade adhesives can be used to adhere the glitter. Shimmer tattoos are iridescent mica powders applied over a base of either hand-applied temporary tattoo ink or medical grade adhesive. They can last up to a week depending on the model's body chemistry.
mODerN bOdY paiNtiNg
There has been a revival of body painting in the Western society since the 1960s, in part prompted by the liberalization of social mores regarding nudity and often comes in sensationalist or exhibitionist forms. Even today there is a constant debate about the legitimacy of body painting as an art form. The current modern revival could be said to date back to the 1933 World's Fair in Chicago where Max Factor and his model were arrested for causing a public disturbance when he bodypainted her with his new make-up formulated for Hollywood films. Body art today evolves to the works more directed towards personal mythologies, as Jana Sterbak, Rebecca Horn, Youri Messen-Jaschin or Javier Perez.
PortugalBody painting is not always large pieces on fully nude bodies, but can involve smaller pieces on displayed areas of otherwise clothed bodies.
Body painting led to a minor alternative art movement in the 1950s and 1960s, which involved covering a model in paint and then having the model touch or roll on a canvas or other medium to transfer the paint. French artist Yves Klein is perhaps the most famous for this, with his series of paintings "Anthropometries". The effect produced by this technique creates an image-transfer from the model's body to the medium. This includes all the curves of the model's body (typically female) being reflected in the outline of the image. This technique was not necessarily monotone; multiple colors on different body parts sometimes produced interesting effects.
Joanne Gair is a body paint artist whose work appeared for the tenth consecutive year in the 2008 Sports Illustrated Swimsuit Issue. She burst into prominence with a August 1992 Vanity Fair Demi's Birthday Suit cover of Demi Moore. Her Disappearing Model was part of an episode of Ripley's Believe It or Not!.
Body painting is commonly used as a method of gaining attention in political protests, for instance those by PETA against Burberry.
Portugal
Body painting led to a minor alternative art movement in the 1950s and 1960s, which involved covering a model in paint and then having the model touch or roll on a canvas or other medium to transfer the paint. French artist Yves Klein is perhaps the most famous for this, with his series of paintings "Anthropometries". The effect produced by this technique creates an image-transfer from the model's body to the medium. This includes all the curves of the model's body (typically female) being reflected in the outline of the image. This technique was not necessarily monotone; multiple colors on different body parts sometimes produced interesting effects.
Joanne Gair is a body paint artist whose work appeared for the tenth consecutive year in the 2008 Sports Illustrated Swimsuit Issue. She burst into prominence with a August 1992 Vanity Fair Demi's Birthday Suit cover of Demi Moore. Her Disappearing Model was part of an episode of Ripley's Believe It or Not!.
Two body painted women in a PETA protest against the fur trade
tRaDitiONaL bOdY paiNtiNg
Body painting with clay and other natural pigments existed in most, if not all, tribalist cultures. Often worn during ceremonies, it still survives in this ancient form among the indigenous people of Australia, New Zealand, the Pacific islands and parts of Africa. A semi-permanent form of body painting known as Mehndi, using dyes made of henna (hence also known rather erroneously as "henna tattoo"), was and is still practiced in India and the Middle East, especially on brides. Since the late 1990s, Mehndi has become popular amongst young women in the Western world.
Indigenous peoples of South America traditionally use annatto, huito, or wet charcoal to decorate their faces and bodies. Huito is semi-permanent, and it generally takes weeks for this black dye to fade.
Actors and clowns around the world have painted their faces—and sometimes bodies—for centuries, and continue to do so today. More subdued form of face paints for everyday occasions evolved into the cosmetics we know today.
wHat iS bOdY paiNtiNg???
sources : wikipedia
a stOrY oaF hUmaN bOdY aND aRt paiNtiNg
A History of Human Art and Body Painting
If the impulse to create art is a defining sign of humanity, the body may well have been the first canvas. Alongside paintings on cave walls visited by early people over 30,000 years ago, we find handprints, ochre deposits, and ornaments. And because the dead were often buried with valuable possessions and provisions for the afterlife, ancient burials reveal that people have been tattooing, piercing, painting, and shaping their bodies for millennia.
All of the major forms of body art known today appear in the ancient world, and there is no evidence indicating a single place of origin for particular techniques. Like people today, ancient peoples used body art to express identification with certain people and distinction from others. Through body art, members of a group could define the ideal person and highlight differences between individuals and groups. In the past, as today, body art may have been a way of communicating ideas about the afterlife and about the place of the individual in the universe.
A variety of objects demonstrate the use of body art in ancient times including an Egyptian fish-shaped make-up palette from 3650 BC to 3300 BC; a painted Greek vase from the fifth century BC depicting tattooed Thracian women; a ceramic spout bottle depicting the pierced face of a Moche warrior of Peru from AD 100-700; and ceramics of painted Nayarit women from 300 BC to 300 AD.
As people from one culture encounter people from another, the diversity of body art can be a source of inspiration, admiration, and imitation. Yet since body art can so clearly signal cultural differences, it can also be a way for people from one culture to ostracize others.
Body art links the individual to a social group as an insider, by asserting a shared body art language. Or it distinguishes outsiders, by proclaiming a separate identity. This concept is explored in Identities, which includes exhibits on tattooing in Japan, New Zealand, the Marquesan Islands, and the contemporary U.S, as well as African and Western piercing.
Body art practices can change rapidly, reflecting larger shifts in society. Tattooing virtually disappeared in Polynesia, partly due to Western influence, but it is now being revived as an assertion of ethnic identity. Western body art, including everything from piercing to shoe styles, also indicates a person's social identity.
In a complex and diverse society, when certain types of body art are shunned by some, they can become signs of rebellion for others. But as unfashionable body art practices become the norm, they lose their power to define group membership and instead express individual choices and life experiences.
Body Painting
Body painting can transform a person into a spirit, a work of art, another gender or even a map of a sacred place. It can emphasize visual appeal, express allegiance or provide a protective and empowering coating. Protective body paints often feature in initiation rituals, weddings and funerals -- all occasions of transition and of spiritual danger. People everywhere adorn the living, and some also treat the dead, with body paint. To make body paint, pigments composed of plant extracts or mineral clays and powders can be mixed with vegetable oil or animal fat. Throughout history, the substances used for body paint have been important trade items. Ochre, camwood, cinnebar, and kaolin were traded throughout Asia, Africa and Europe.
Henna, used as a temporary skin dye, was widely traded in the Muslim world along with patterns and designs used to apply it. Commercially manufactured body paints, now available in a wider palette, may be adopted for their visual appeal but they rarely take on the symbolic significance of natural paints and dyes.
If the impulse to create art is a defining sign of humanity, the body may well have been the first canvas. Alongside paintings on cave walls visited by early people over 30,000 years ago, we find handprints, ochre deposits, and ornaments. And because the dead were often buried with valuable possessions and provisions for the afterlife, ancient burials reveal that people have been tattooing, piercing, painting, and shaping their bodies for millennia.
All of the major forms of body art known today appear in the ancient world, and there is no evidence indicating a single place of origin for particular techniques. Like people today, ancient peoples used body art to express identification with certain people and distinction from others. Through body art, members of a group could define the ideal person and highlight differences between individuals and groups. In the past, as today, body art may have been a way of communicating ideas about the afterlife and about the place of the individual in the universe.
A variety of objects demonstrate the use of body art in ancient times including an Egyptian fish-shaped make-up palette from 3650 BC to 3300 BC; a painted Greek vase from the fifth century BC depicting tattooed Thracian women; a ceramic spout bottle depicting the pierced face of a Moche warrior of Peru from AD 100-700; and ceramics of painted Nayarit women from 300 BC to 300 AD.
As people from one culture encounter people from another, the diversity of body art can be a source of inspiration, admiration, and imitation. Yet since body art can so clearly signal cultural differences, it can also be a way for people from one culture to ostracize others.
Body art links the individual to a social group as an insider, by asserting a shared body art language. Or it distinguishes outsiders, by proclaiming a separate identity. This concept is explored in Identities, which includes exhibits on tattooing in Japan, New Zealand, the Marquesan Islands, and the contemporary U.S, as well as African and Western piercing.
Body art practices can change rapidly, reflecting larger shifts in society. Tattooing virtually disappeared in Polynesia, partly due to Western influence, but it is now being revived as an assertion of ethnic identity. Western body art, including everything from piercing to shoe styles, also indicates a person's social identity.
In a complex and diverse society, when certain types of body art are shunned by some, they can become signs of rebellion for others. But as unfashionable body art practices become the norm, they lose their power to define group membership and instead express individual choices and life experiences.
Body Painting
Body painting can transform a person into a spirit, a work of art, another gender or even a map of a sacred place. It can emphasize visual appeal, express allegiance or provide a protective and empowering coating. Protective body paints often feature in initiation rituals, weddings and funerals -- all occasions of transition and of spiritual danger. People everywhere adorn the living, and some also treat the dead, with body paint. To make body paint, pigments composed of plant extracts or mineral clays and powders can be mixed with vegetable oil or animal fat. Throughout history, the substances used for body paint have been important trade items. Ochre, camwood, cinnebar, and kaolin were traded throughout Asia, Africa and Europe.
Henna, used as a temporary skin dye, was widely traded in the Muslim world along with patterns and designs used to apply it. Commercially manufactured body paints, now available in a wider palette, may be adopted for their visual appeal but they rarely take on the symbolic significance of natural paints and dyes.
iNtrOductiON oF hUmaN bODY aRt paiNtiNg
The human body has been featured in paintings ages ago and used effectively as a canvas on which art is presented. It is an interesting concept and makes a beautiful medium to display almost any pattern or design that can be simple yet elegant. If you enjoy art, erotic art or seeing the human canvas through body painting, this article will surely amaze you.
Acting as a kind of artistic camouflage, the paintings are applied directly to the models’ bodies and match perfectly with the backgrounds. The bodies are not completely hidden in the patterns but become a part of them that allow the background to flow beautifully. As such, the bodies look infinitely soft and fragile without being over-sexualized.
Acting as a kind of artistic camouflage, the paintings are applied directly to the models’ bodies and match perfectly with the backgrounds. The bodies are not completely hidden in the patterns but become a part of them that allow the background to flow beautifully. As such, the bodies look infinitely soft and fragile without being over-sexualized.
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